Vol. 1 (2023)

Articles

• Editorial

  Dahlia Shehata, Florian Leitmeir, Kamila Wysłucha, Stefan Hagel

  7-8

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• Experimental restoration and reconstruction in music archaeology

  Jianjun Fang

  9-21

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• Reflections on archaeomusicological practice in South America

  José Pérez de Arce

  23-38

  • PDF

• Different blowing techniques for Palaeolithic aerophones: Animal calls, clarinets, and flutes

  Michael Praxmarer

  39-57

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• On experimental reconstructions of the mammoth ivory flute from Geißenklösterle Cave (GK3) and other Palaeolithic wind instruments from South-West Germany

  Anna Friederike Potengowski, Gabriele Dalferth, Wulf Hein, Barbara Spreer, Hannes Wiedmann, Maria Malina, Susanne C. Münzel

  59-102

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• Sounds from a base camp Different ways of reconstructing and playing the "Grubgraben" wind instrument

  Maria Hackl, Veronika Kaudela, Bernadette Käfer

  103-123

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• Only pottery drums in the Stone Age? Advantages and disadvantages of wooden versus pottery drums relating to production and sound

  Luboš Chroustovský

  125-141

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• Metallic idiophones 800 BCE–800 CE in Central Europe: Function and acoustic influence

  Beate Maria Pomberger, Jörg Mühlhans, Kayleigh Saunderson

  143-183

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• Some notes on woodwind instruments in al-Fārābī’s Kitāb al-Mūsīqī al-kabīr

  Yasemin Gökpınar

  185-200

  • PDF

• Kakui’s Hakase-Shi-Kuden-no-Koto in modern English translation A window into the workings of 13th-century Japanese Buddhist neumes and a step forward for comparative liturgy

  Stephen Ithel Duran

  201-231

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• Pre-Columbian Maya valveless tube trumpets

  Mark Howell

  233-247

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• The ‘talempong batu’ lithophone of Talang Anau (West Sumatra) and its astonishing tuning system

  Christoph Louven

  249-260

  • PDF