Vol. 2 (2024)

Articles

• Editorial

  Florian Leitmeir, Kamila Wysłucha, Stefan Hagel, Dahlia Shehata

  7

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• Doublepipe reeds: Phragmites, straw, and data-logging for distributed reed research

  Marco Sciascia, Barnaby Brown

  9-32

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• The rattle from Szadek Acoustic research with the use of numerical sound reconstruction

  Katarzyna Tatoń, Ireneusz Czajka

  33-52

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• Musical and dance motifs on Roman engraved gems of the Augustan Era

  Angeliki Liveri

  53–87

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• How do we perceive sounds of originals and replicas of archaeological metal sound objects? An interdisciplinary study of systematic musicology, music psychology and music archaeology

  Jörg Mühlhans, Markus Foramitti, Beate Maria Pomberger

  89–113

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• Mapping Roman sounds A methodological approach to reconstructing Roman soundscapes

  Florian Leitmeir, Jutta Guenther

  115–130

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• Teotihuacan whistling vessels

  Adje Both

  131-169

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• The image and connotation of small sculptures on bronze drums in Southern China

  Ruoxin Huang

  171-189

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• The sound of thunder A turtle-shell idiophone in the Classic Maya culture

  Monika Ciura

  191–213

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• Sounds of a Grand Race Conceptualizing supernatural ‘Vitra’ Paths as pre-modern sound-musical-spatial infrastructure

  Toivo Burlin

  215-262

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