Vol. 1 (2023)

Articles

• Editorial

  Dahlia Shehata, Florian Leitmeir, Kamila Wysłucha, Stefan Hagel

  7-8

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• Experimental Restoration and Reconstruction in Music Archaeology

  Jianjun Fang

  9-21

  • PDF

• Reflections on Archaeomusicological Practice in South America

  José Pérez de Arce

  23-38

  • PDF

• Different Blowing Techniques for Palaeolithic Aerophones: Animal Calls, Clarinets, and Flutes

  Michael Praxmarer

  39-57

  • PDF

• On Experimental Reconstructions of the Mammoth Ivory Flute from Geißenklösterle Cave (GK3) and Other Palaeolithic Wind Instruments from South-West Germany

  Anna Friederike Potengowski, Gabriele Dalferth, Wulf Hein, Barbara Spreer, Hannes Wiedmann, Maria Malina, Susanne C. Münzel

  59-102

  • PDF

• Sounds From a Base Camp Different Ways of Reconstructing and Playing the "Grubgraben" Wind Instrument

  Maria Hackl, Veronika Kaudela, Bernadette Käfer

  103-123

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• Only Pottery Drums in the Stone Age? Advantages and Disadvantages of Wooden versus Pottery Drums Relating to Production and Sound

  Luboš Chroustovský

  125-141

  • PDF

• Metallic Idiophones 800 BCE–800 CE in Central Europe: Function and Acoustic Influence

  Beate Maria Pomberger, Jörg Mühlhans, Kayleigh Saunderson

  143-183

  • PDF

• Some Notes on Woodwind Instruments in al-Fārābī’s Kitāb al-Mūsīqī al-Kabīr

  Yasemin Gökpınar

  185-200

  • PDF

• Kakui’s Hakase-Shi-Kuden-no-Koto in Modern English Translation A Window into the Workings of 13th Century Japanese Buddhist Neumes and a Step Forward for Comparative Liturgy

  Stephen Ithel Duran

  201-231

  • PDF

• Pre-Columbian Maya Valveless Tube Trumpets

  Mark Howell

  233-247

  • PDF

• The ‘talempong batu’ Lithophone of Talang Anau (West Sumatra) and its Astonishing Tuning System

  Christoph Louven

  249-260

  • PDF